1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.   Related Paintings of Caspar David Friedrich :. | Two Men at Twilight (mk10) | Caspar David Friedrich | Kreuz im Gebirge,Teschener Altar | Evening on the Baltic Sea | Schwane im Schilf |
Related Artists:
Samuel Prout
English Painter, 1783-1852 was an English water-colour painter. He was born at Plymouth, and spent whole summer days, in company with Benjamin Haydon, drawing the quiet cottages, rustic bridges and romantic watermills of the beautiful valleys of Devon. He made a journey through Cornwall to try his hand in furnishing sketches for Britton's Beauties of England. In 1803 he moved to London, where he stayed until 1812. In London, Prout saw new possibilities, and endeavoured to correct and improve his style by studying the works of the rising school of landscape. To earn a living, he painted marine pieces for Palser the printseller, took students, and published drawing books for learners. He was one of the first to use lithography in his artwork. It was not however until about 1818 that Prout discovered his niche. Happening time to make his first visit to the Continent, and to study the quaint streets and market-places of continental cities, he suddenly found himself in a new and enchanting province of art. His eye caught the picturesque features of the architecture, and his hand recorded them with skill. The composition of his drawings was exquisitely natural; their colour exhibited "the truest and happiest association in sun and shade"; the picturesque remnants of ancient architecture were rendered with the happiest breadth and largeness, with the heartiest perception and enjoyment of their time-worn ruggedness
Dario de Regoyos
1857-1913
Nathaniel Dance
English Painter, 1735-1811,Painter and politician, elder son of George Dance . He trained under Francis Hayman before travelling to Rome in 1754. As Nathaniel Dance he established himself as a portrait painter but was determined to succeed as a history painter. His picture the Death of Virginia (1759; untraced, but known from a sketch, London, Soane Mus.) is of documentary importance as the first dated Classical history painting by a British artist working in Rome. In 1762 Dance assisted Pompeo Girolamo Batoni, whose influence brightened his palette and introduced him to a grander clientele, including Edward Augustus, Duke of York (1739-67), who sat for both artists in 1764 (Dance's Edward Augustus, Duke of York, London, Buckingham Pal., Royal Col.). In the same year Dance painted a portrait of Angelica Kauffman (Burghley House, Cambs), with whom he was in love. He returned to London in 1765 and rapidly achieved fame as a portrait and history painter. His Timon of Athens (1767; London, Buckingham Pal., Royal Col.) was purchased by George III; but after the King appointed Benjamin West to be his history painter in 1772, Dance concentrated on portraits. He was among the 22 artists who successfully petitioned the King in 1768 to establish a Royal Academy, and he served for periods as a council member and visitor, until 1782. At the Academy's first exhibition (1769) Dance showed full-length portraits of George III and Queen Charlotte (Uppark, W. Sussex, NT); two years later he exhibited David Garrick as Richard III (Stratford-on-Avon, Town Hall). In the mid-1770s Dance became financially independent, and his output declined sharply, virtually ceasing after his marriage in 1783 to a wealthy widow. He resigned from the Academy in 1790 on his election as Member of Parliament for East Grinstead and subsequently only exhibited occasional landscapes as a 'gentleman'. In 1800 he was created a baronet and assumed the name of Dance-Holland; he died worth over